CG Character Development Session 42

Session Review

Returning to the nomad model, once more before I could proceed further with the uv mapping tutorial series. I had to continue adjusting the anatomy of the nomad. Firstly by removing large sections of the neck anatomy in order to pull the neck forward and remove the square lined jaw as shown in (Figure 1).

Figure 1

Moreover, I have made a third attempt to attach the ear to the head, this time consisting of extruding a face outwards first before fusing he ear to the head. This applied a more realistic appearance and made it easier to rotate and further adjust the ear.

In addition, I have begun the creation of a new foot because the existing one the nomad has looks terrible along the heel of his foot when smoothing is applied to the model.

However, despite being incredibly satisfied with the new model (Figure 2)

, I still need to take the time and get experience with uv mapping the nomad and I need to discover whether I need to combine all of the assets of the character such as clothing and armour as one whole mesh before uv cutting begins.

Figure 2

References

https://www.youtube.com/watch?v=hLfVu9ekXrw&index=6&list=LLkTy27rOdJzWEPDaAyNSHEw]

https://www.youtube.com/watch?v=w5DQIhfdrfs

http://www.3dtotal.com/tutorial/762-modeling-a-foot-in-maya-by-steven-stahlberg-human-legs-feet-maya-modeling?page=1#.VoCa_fmLQdU

http://simplymaya.com/forum/showthread.php?t=29355

http://www.hard-light.net/forums/index.php?topic=70642.0

http://cgi.tutsplus.com/tutorials/cleaning-up-bad-geometry-using-mayas-cleanup-options--cg-21861

UV Map Guides

http://www.northern-studios.com/uvmapping-for-beginners/

https://www.blender.org/manual/editors/uv_image/texturing/unwrapping.html

http://www.creativebloq.com/3d/how-texture-model-maya-121310050

By Sebastian Jones

Comments

Nomad Production: Finishing Touches

Session Notes Taking a moment to resume progress with the character I have made sure each part of the model's vertices, uv mapping, textures and topology areas clean and organised as possible before attempting to pose the character in Zbrush. using a plugin named Transpose However, while successfully importing a clean model of my character into Zbrush using the spheres to rig the character proved challenging considering I am still new to some of Zbrush's features and thus proved far too time-consuming for the academic deadline. Nevertheless, I have downloaded KeyShot 5 and attempted to render features of the nomad such as the tribal mask and truly show it off by making the render look as detailed as possible. Browsing ArtStation once more and observing others renders I pasted and edited a lovely forest green grunge background along with applying subtle lighting effects I learned from Photography to create a colour and vibrant render sheet. Henceforth, after combini...

(OLD) CG Nomad Final Session Log

Session Review During the events of this final academic session of the nomad, my current concentration was focused on applying more detail to the nomad's helmet and creating a new skin texture. Moreover, the reason for me creating a new skin texture from the previous face skin was because of the previous skin had a harsher completion on the character and a fellow classmate found it unnerving. Moreover, browsing through my photography CDME module folder, I used a portion of my skin an d re shaded indigo in order to create a smoother and more tillable face skin for the nomad. I must say I was very impressed with the quality of detail with the final skin render (figure a). Furthermore, returning to the class I continued to face difficulty successfully, uv mapping the characters head. However, thanks to constructive criticism from both the lecturer and fellow classmates I proceeded to follow a tutorial from Vimeo, which I personally felt was much simpler to follow a...

CG Character Development Session 46

Session Review Figure a Following on from the previous session, over the past week I have proceeded to create a series of my own texture in order to replace most of the ones I located across the internet in order to avoid plagiarism and make the nomad character as authentic in its production as possible. Figure b Moreover, considering that my other classmates have applied bump maps to their characters in order to add definition to their character's clothing. I recalled a free piece of software known as "Crazy Bump" which is a quick and easy way to create bump maps from image files. It is also worth mentioning that when applying the bump map that the type of bump map is set as shown in figure a. The reason I chose to use my map as a "Tangent Space Normals" is because to my understanding from the tutorial it is normally used for standard game models according to the instructor. Additionally, the bump maps have applied a tremendous amount ...

ANIM2001 CG Character Production Logs

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