CG Character Development Session 3/4

Session Review

Previously during the yesterdays afternoon session, I continued with applying more source images of tribal masks; however, unlike previous mood boards, I sought to add more source material as I could and fill the page.

Current version of the mood board

Furthermore, as my mood board began to grow I began to have a clearer vision of my characters appearance. In addition, I also continued to create a robed sash in Maya by simply extruding a rectangle and adjusting the vertices and edges until it resembled a convincing robe. With the smoothing applied the model looked excellent and resembled robes from games such as Jedi Knight academy Knights of the Old Republic.

However, despite the fact my character will look good with a robe and sash , I will continue to refer to my military and tribal outfits and create a broader range of appearance s for my character.

By Sebastian Jones

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Nomad Production: Finishing Touches

Session Notes Taking a moment to resume progress with the character I have made sure each part of the model's vertices, uv mapping, textures and topology areas clean and organised as possible before attempting to pose the character in Zbrush. using a plugin named Transpose However, while successfully importing a clean model of my character into Zbrush using the spheres to rig the character proved challenging considering I am still new to some of Zbrush's features and thus proved far too time-consuming for the academic deadline. Nevertheless, I have downloaded KeyShot 5 and attempted to render features of the nomad such as the tribal mask and truly show it off by making the render look as detailed as possible. Browsing ArtStation once more and observing others renders I pasted and edited a lovely forest green grunge background along with applying subtle lighting effects I learned from Photography to create a colour and vibrant render sheet. Henceforth, after combini...

Playing Around in ZBrush

Session Notes Playing around n ZBrush! ..... References http://docs.pixologic.com/getting-started/sculpting-a-head/ http://docs.pixologic.com/getting-started/basic-concepts/2d-and-3d-navigation/ https://www.youtube.com/watch?v=W4WL11hCGGA https://shop.3dtotal.com/training/training-ebooks-zbrush/cedric-seaut-s-character-modeling-download-only.html IMPORT FROM MAYA TO ZBRUSH http://forums.cgsociety.org/showthread.php?t=129098 http://www.zbrushcentral.com/showthread.php?3878-Maya-model-into-ZBrush windows->settings and preferences->plugin manager enable the objexport plugin and you will see the option available in the export menu. The import button is located into ztool panel on the top left ! Yes, the Import button at the top of the Tool palette lets you import an OBJ mesh. If you ever wanted to import a DXF model, you would have to select the Polymesh3D tool and then use Tool>Inventory> Import with the DXF option active.26 Aug 2003 By ...

CG Character Development Session 45

Session Review Returning to the nomad after experimenting with the available materials in maya ( figure 1) . The decision was made to return to make another series of uv mapping attempts and it was through the guidance of a classmate that I discovered a useful uv mapping tutorial that required time to observe in order to drink in the information. Figure 1 Moreover, the methods James Taylor used were simple and easy enough o intellectual follow as well as practically follow;however, I noticed that each limb of the instructors character was a separate mesh so I referred to auto desks website read their methods of separating areas of a model until the operated pieces are individual objects. Furthermore, while I was repeating the methods of un wrapping to the leg it was tedious but pleasing that I noticed several vertices in the leg were not merged together. In addition, I had to create a new foot purely because the previous version I had had terrible topology and at...

ANIM2001 CG Character Production Logs

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