Skip to main content

CG Character Development Session 21

Session Review
Checking each view port in order to make sure geometry is smooth and clean.

 Returning to the human head I created at the start of September, I have decided to simply finish what I have already created and the instructions are simple to follow so once I have created and edited the low poly head in 3ds max it will be saved as a n FBX file ready for import in Maya 2015.

Moreover, during this evenings session I have re adjusted the vertices and toggled out of the front view port in order to use my own common sense and observe whether the vertices along the head were evenly positioned and matched the front reference image without destroying the geometry such as the last I worked on step four of the tutorial.

Furthermore, I decided to skip creating the neck in the 3ds max head tutorial because in the Lynda tutorial and ninja turmoil I am both following they simply just merge the head to the torso and as I tested last
Tuesday in class as I merged the feet to the leg it successfully created the necessary mesh.

In addtion, under “Creating the Nose” step four in the low poly head tutorial where it instructed to create the nose geometry, by selecting the connect tool.; however, as I followed the instructions the connect tool created extra edges along the side of the face so in order to get rid of them I just simply hold Alt on the keyboard and select the front two nose lines to deselect them. Then remove the extra edges on the side of the face created by the connect tool.

By Sebastian Jones

Comments

Post a Comment

Popular posts from this blog

Nomad Production: Finishing Touches

Session Notes Taking a moment to resume progress with the character I have made sure each part of the model's vertices, uv mapping, textures and topology areas clean and organised as possible before attempting to pose the character in Zbrush. using a plugin named Transpose However, while successfully importing a clean model of my character into Zbrush using the spheres to rig the character proved challenging considering I am still new to some of Zbrush's features and thus proved far too time-consuming for the academic deadline. Nevertheless, I have downloaded KeyShot 5 and attempted to render features of the nomad such as the tribal mask and truly show it off by making the render look as detailed as possible. Browsing ArtStation once more and observing others renders I pasted and edited a lovely forest green grunge background along with applying subtle lighting effects I learned from Photography to create a colour and vibrant render sheet. Henceforth, after combini...
Post a Comment
Read more

(OLD) CG Nomad Final Session Log

Session Review During the events of this final academic session of the nomad, my current concentration was focused on applying more detail to the nomad's helmet and creating a new skin texture. Moreover, the reason for me creating a new skin texture from the previous face skin was because of the previous skin had a harsher completion on the character and a fellow classmate found it unnerving. Moreover, browsing through my photography CDME module folder, I used a portion of my skin an d re shaded indigo in order to create a smoother and more tillable face skin for the nomad. I must say I was very impressed with the quality of detail with the final skin render (figure a). Furthermore, returning to the class I continued to face difficulty successfully, uv mapping the characters head.  However, thanks to constructive criticism from both the lecturer and fellow classmates I proceeded to follow a tutorial from Vimeo, which I personally felt was much simpler to follow a...
Post a Comment
Read more

CG Character Development Session 46

Session Review Figure a Following on from the previous session, over the past week I have proceeded to create a series of my own texture in order to replace most of the ones I located across the internet in order to avoid plagiarism and make the nomad character as authentic in its production as possible. Figure b Moreover, considering that my other classmates have applied bump maps to their characters in order to add definition to their character's clothing. I recalled a free piece of software known as "Crazy Bump" which is a quick and easy way to create bump maps from image files. It is also worth mentioning that when applying the bump map that the type of bump map is set as shown in figure a.  The reason I chose to use my map as a "Tangent Space Normals" is because to my understanding from the tutorial it is normally used for standard game models according to the instructor. Additionally, the bump maps have applied a tremendous amount ...
Post a Comment
Read more