CG Character Development Session 23

Cleaning up more rouge vertices

Session Review

During yesterdays session, I continued my production of the low poly head and the reference illustration needed to increase the contrast of my reference images by forty since the illustration was to faint once I zoomed in and worked on areas such as the nose.

Furthermore, I had to connect the three vertices located at the bottom of the nasal septum and connect them. Since the middle vertice, I inserted strangely created a mesh line in perspective view.

In addition, after cleaning up rouge vertices, I pulled back the cheek vertice and it certainly made a difference because my viewports, in particular, the left viewport started to match the tutorial images.

After editing the model I finally learned that the image in the tutorial instruction the instructor simply positioned the camera to look upward.

By Sebastian Jones

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(OLD) CG Nomad Final Session Log

Session Review During the events of this final academic session of the nomad, my current concentration was focused on applying more detail to the nomad's helmet and creating a new skin texture. Moreover, the reason for me creating a new skin texture from the previous face skin was because of the previous skin had a harsher completion on the character and a fellow classmate found it unnerving. Moreover, browsing through my photography CDME module folder, I used a portion of my skin an d re shaded indigo in order to create a smoother and more tillable face skin for the nomad. I must say I was very impressed with the quality of detail with the final skin render (figure a). Furthermore, returning to the class I continued to face difficulty successfully, uv mapping the characters head. However, thanks to constructive criticism from both the lecturer and fellow classmates I proceeded to follow a tutorial from Vimeo, which I personally felt was much simpler to follow a...

Nomad Production: Finishing Touches

Session Notes Taking a moment to resume progress with the character I have made sure each part of the model's vertices, uv mapping, textures and topology areas clean and organised as possible before attempting to pose the character in Zbrush. using a plugin named Transpose However, while successfully importing a clean model of my character into Zbrush using the spheres to rig the character proved challenging considering I am still new to some of Zbrush's features and thus proved far too time-consuming for the academic deadline. Nevertheless, I have downloaded KeyShot 5 and attempted to render features of the nomad such as the tribal mask and truly show it off by making the render look as detailed as possible. Browsing ArtStation once more and observing others renders I pasted and edited a lovely forest green grunge background along with applying subtle lighting effects I learned from Photography to create a colour and vibrant render sheet. Henceforth, after combini...

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Session Notes Continuing on from the last session, I am applying further detail in the textures this time to match the improved quality of the mesh. Furthermore, as I cleaned up the project file and updated the export file (.obj) out of curiosity I imported the character in the earlier Maya 2015 version and to my surprise not only could I see the topology lines in smooth mode but the issue with the UV mapping was apparently fixed when the model was exported out. ... Key Words leather texture objExport Plug In Manger References http://www.wildtextures.com/wp-content/uploads/wildtextures-leather-Buffalo-antiquebeige.jpg http://www.wildtextures.com/category/leather/page/2/ https://knowledge.autodesk.com/support/maya/learn-explore/caas/CloudHelp/cloudhelp/2016/ENU/Maya/files/GUID-2CF7D90B-EF10-40D1-9129-9D401CCAB952-htm.html https://simplymaya.com/forum/showthread.php?t=23793 By Sebastian Jones

ANIM2001 CG Character Production Logs

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